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I have often notion upon viewing the prequel trilogy, the intervening years between the recent and the original. To be determined, most of the criticisms of the recent trilogy are adult in nature. We pronounce ill of wooden dialogue and acting, convoluted storylines, and themes that aren’t upright to the nature of the purity of science fiction. I was only five when Episode IV was release, so my only criticism of that particular film came in the earn of whining to my folks that I couldn’t peruse it again and again and again.
My point is this: George Lucas has his flaws, most of which are related to him being out of the director’s chair for more than 20 years before embarking on his novel trilogy toy, but I mediate, more importantly, that we as a filmgoing populace have changed as well. The fact that Lucas has been able to bridge that gap successfully (while telling the narrative backwards, to boot!) demonstrates the man’s broad talents. Perfect? Far from it, but damned titillating, nonetheless.
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Which brings me to the crown jewel of the prequel trilogy. “Revenge of the Sith” is the second best film of all six, ranking only leisurely “The Empire Strikes Aid” in terms of depth an substance. The acting is better and the writing, if not terrific, is helped by a game cast and a skedaddle that doesn’t allow you to gather your breath. Hayden Christiansan, for the most share, owns this role, displaying an adult gravity he was unable to note in the dramatically clunky “Attack of the Clones” The rage, frustration, and awe contrasted with Anakin’s heroism and confidence in the face of battle made for a complex character who you found yourself rooting for despite the story’s preordained outcome.
The special effects, as usual, are outstanding, but for the most section attend the film this time. There are points during the first two prequel films that you feel Lucas and Co. are simply showing off some of their colorful unique toys, but in this film there is a more concrete sense of purpose.
Dramatically the film belongs to Ian McDiarmid. His performance creates the fair balance of charm and villiany and by doing so makes Anakin’s turn all the more believable even though the turn itself feels a tad sudden. In fact, I dare say that I enjoyed McDiarmid more when he was under the guise of Palpatine than when he fully reveals himself as Sidious. The scene during the opera is one of the expansive dramatic highpoints of any of the six movies.
As for the flaws: clear, there were a few. I would like to have seen a more galvanizing series of events leading to Anakin’s turn, perhaps some more perceived betrayals at the hands of the Jedi Council? I would like to have seen a more fleshed out performance by Natalie Portman, who seems to be more of an afterthought than a character in the third film. (On a side imprint, Portman is a terrific actress, but was, in this humble reviewer’s idea, the most ill-served of the entire cast by the clunky dialogue that pervades all three films.)
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The one fragment to which I didn’t object that seemed to be the bane of many Star Wars fans is the scene spicy the birth of Vader. I liked the allusions to “Frankenstein” for that is what Vader’s record eventually becomes in the following trilogy: a search for his humanity, distinguished like Mary Shelley’s creation.
I also didn’t have a scrape with Vader’s reaction to the fact he’d caused Padme’s death. You have to remember that, despite the fact that he now has James Earl Jones’ booming enlighten, he’s serene Anakin and peaceful very young. It does sound weird, I admit, but it’s smooth completely in character. You also have to remember that Darth Vader will have a qualified 20 to 25 years to complete his transformation into the wintry, remorseless killing machine we arrive to know and esteem in Episode IV.
In all, “Revenge of the Sith” does a terrific job of tying things together in a manner that harkens serve to when I was a child watching Star Wars for the first time. It’s impossible, as an adult, to completely dismiss some of the flaws in the later films, but Episode III definitely comes conclude. It is a lovely fragment of escapist filmaking that has heart, soul, and character and I would highly recommend it to anyone, Star Wars fan or no, looking for a fun time at the movies.
I never really understood what was so mammoth about the Star Wars movies when I was growing up. I was born after the originals were released, so I was never a fraction of that “culture” that Star Wars is. I saw them when I was around 13 or 14 and fell asleep before the demolish of all three. I never had the desire to really watch them again until Phantom Menace came out. I didn’t spy it in theaters, but I watched it, liked it, and waited for the next one to approach out. I liked Episode II a lot better (I have to admit that half of that appreciation is because I cherish Haydn), but I mild didn’t really “earn” Star Wars. Well, I saw the triler for the third film, and I notion it looked really valid. I also understanding it was going to be dark, but I didn’t realize that I was going to roar all the design home from the movie theater! After the experience of seeing Episode III, I now finally understand what Star Wars is all about, and I esteem it! This movie perfectly ties the two trilogies together. It is so emotionally mighty. I know a lot of people say that George Lucas can’t write diologue and can’t assert anything but action scenes, but I completely disagree. Though some lines are a bit corny, each scene is treated with a big amount of care and sets up your emotions so that you react to clear gloomy cercumstances (I’m determined you know what I’m refering to) in a very personal intention. I have watched all three of the first series since seeing Episode III, and I enjoy them so noteworthy, because now I understand!
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